By Elizabeth Allen

A Fallen Idol continues to be a God elucidates the old uniqueness and value of the seminal nineteenth-century Russian poet, playwright, and novelist Mikhail Iurevich Lermontov (1814-1841). It does so by means of demonstrating that Lermontov's works illustrate the situation of dwelling in an epoch of transition. Lermontov's specific epoch used to be that of post-Romanticism, a time while the twilight of Romanticism was once dimming however the sunrise of Realism had but to seem. via shut and comparative readings, the publication explores the singular metaphysical, mental, moral, and aesthetic ambiguities and ambivalences that mark Lermontov's works, and tellingly replicate the transition out of Romanticism and the character of post-Romanticism. total, the booklet unearths that, even if constrained to his transitional epoch, Lermontov didn't succumb to it; as a substitute, he probed its personality and evoked its ancient import. And the e-book concludes that Lermontov's works have resonance for our transitional period within the early twenty-first century as well.

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A Fallen Idol Is Still a God: Lermontov and the Quandaries of Cultural Transition by Elizabeth Allen

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